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, his best film by far, is all about how tragedies of the flesh can yield renewal and hope despite the pain they leave behind, which is as clear an understanding of what makes movies tick as Mr.Almodóvar will ever need." - Janet Maslin, The New York Times"Anti-war statements of the cinema in the subsequent 80 years have occasionally surpassed Milestone's technically and artistically groundbreaking film, but few can match it for relentless despair or elemental fury…

They fall in love––to their own surprise––and to the shock of family, colleagues, and drinking buddies.

In a revelatory film debut, the dynamic, fresh-faced Sandrine Bonnaire plays Suzanne, a fifteen-year-old Parisian who embarks on a sexual rampage in an effort to separate herself from her overbearing, beloved father (played with astonishing magnetism by Pialat himself), ineffectual mother, and brutish brother.

A tender character study that can erupt in startling violence, "Steven Spielberg's film, a project he inherited from Stanley Kubrick, to whom it is dedicated, is a work of brilliant artifice and profound intelligence...

It's impossible to overstate influence on the genre, not just in the slew of gag-a-second knockoffs and Leslie Nielsen vehicles that followed, but also on the constant riffing now common to modern Disney animated features, or many of the films built around sketch comics from “In spite of its increasingly daring and experimental visual stylings, the Japanese animation industry has yet to produce a film that truly rivals Katsuhiro Otomo's much-heralded animated film adaptation of his 2,000-page comic book .

The 1988 cyberpunk extravaganza—in which a weak, put-upon biker punk named Tetsuo is suddenly endowed with phenomenal psychic powers, and uses them to exact violent retribution on any and all perceived authority figures—certainly has its problems….